Manuel Hernández Mompó

MANUEL HERNÁNDEZ MOMPÓ (Valencia, 1927 - Madrid, 1992)."El Miguelete", 1943Oil on panel.Signed, dated and dedicated in the upper left corner.Certificate can be issued at the request and expense of the buyer.Presents xylophagous marks.Measurements: 36.5 x 26 cm; 51 x 40.5 cm (frame).The son of a painting teacher, Hernández Mompó alternated his basic and high school studies with classes at the Escuela de Artes Aplicadas y Oficios Artísticos in Valencia, which he entered in 1943. In 1948 he obtained a grant to paint in Granada, at the Residence for Painters, and three years later a new grant enabled him to travel to Paris. In the French capital he came into contact with the circles of informalist painters, whose influence would mark his later work, leaving behind the landscapes and portraits that had dominated his oeuvre until then. Between 1954 and 1955 he spent a long period in Rome, on a grant from the Department of Culture of the Ministry of National Education to study at the Spanish Academy of Fine Arts in the Italian capital. In 1954 he took part in the Viareggio International Exhibition, where he was awarded the Italian Navigation Prize. He left Italy and settled in Amsterdam, where he again frequented the informalist cenacles. In 1957 he returned to Spain and settled in Aravaca (Madrid). The following year he was awarded a grant from the Juan March Foundation in Madrid, and won the Grand National Painting Prize and a first medal at the National Exhibition of Fine Arts. During the sixties and seventies he alternated his residence between Madrid, Ibiza, and in 1973 he spent a year in California. On his return to Spain he settled in Mallorca. Hernández Mompó exhibited in the main capitals of Europe and the United States, and took part in national and foreign group exhibitions. Among his most outstanding awards was the Unesco Prize received at the XXXIV Venice Biennale in 1968. In 1984 he was awarded the National Fine Arts Prize by the Ministry of Culture. His youthful style was soon influenced in a definitive way by abstract expressionism and informalism, although his works never lost reality as a reference point. In his production, Hernández Mompó captures a figurative and poetic imagery, harmoniously mixed with abstract elements and rich superimposition effects. Hernández Mompó is represented at the IVAM in Valencia, the Museo Nacional Reina Sofía, the Museo de Arte Abstracto in Cuenca, the British Museum in London, the Centre Georges Pompidou in Paris, the Chase Manhattan Bank Collection in New York and the Winterthur Museum in Switzerland, among many others.

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