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Josep Puigdengolas
Lot 35195364
JOSEP PUIGDENGOLAS BARELLA (Barcelona, 1906 - 1987).
"Barcelona", ca.1950.
Oil on canvas.
Signed in the lower right corner.
Size: 60 x 75 cm.
In this work Puigdengola demonstrates his absolute mastery of the technique and of the capture of the landscape, in an image in which he manages to synthesize the naturalistic representation, the personal expression and the pictorial order. We see a sensitive brushstroke, which explores the space and gives it form and entity, creating volumes, lights and shadows, defining an atmosphere captured with great sensitivity. Through a purely personal language, Puigdengola synthesises the basic elements of representation and expressiveness of painting, as can be seen in the intensity of his colours and the rigour of his compositional structure.
Josep Puigdengolas trained at the schools of Arts and Crafts and La Lonja in Barcelona, later completing his studies at El Paular and at the Royal Academy in Florence. He was a disciple of Eliseo Meifrén and Joaquín Mir. In 1951 he was appointed professor of drawing at the Sant Jordi School of Fine Arts. Although he had his studio in Barcelona, he frequently painted in La Cerdanya and Mallorca, specifically in the town of Deià. His work, of a luminous naturalism, derives from the style of Mir, and earned him great public acclaim. He focused his work on landscape, but he also worked on portraits. Throughout his career he held several solo exhibitions, such as the one organised at the Salón Cano in Madrid in 1962, and took part in group exhibitions and competitions such as the National Exhibition of Fine Arts. A few months before his death, in January 1987, he held his last exhibition at the Sala Parés in Barcelona. He is currently represented at the Museo Nacional Centro de Arte Reina Sofía and the MACBA in Barcelona, among others.
"Barcelona", ca.1950.
Oil on canvas.
Signed in the lower right corner.
Size: 60 x 75 cm.
In this work Puigdengola demonstrates his absolute mastery of the technique and of the capture of the landscape, in an image in which he manages to synthesize the naturalistic representation, the personal expression and the pictorial order. We see a sensitive brushstroke, which explores the space and gives it form and entity, creating volumes, lights and shadows, defining an atmosphere captured with great sensitivity. Through a purely personal language, Puigdengola synthesises the basic elements of representation and expressiveness of painting, as can be seen in the intensity of his colours and the rigour of his compositional structure.
Josep Puigdengolas trained at the schools of Arts and Crafts and La Lonja in Barcelona, later completing his studies at El Paular and at the Royal Academy in Florence. He was a disciple of Eliseo Meifrén and Joaquín Mir. In 1951 he was appointed professor of drawing at the Sant Jordi School of Fine Arts. Although he had his studio in Barcelona, he frequently painted in La Cerdanya and Mallorca, specifically in the town of Deià. His work, of a luminous naturalism, derives from the style of Mir, and earned him great public acclaim. He focused his work on landscape, but he also worked on portraits. Throughout his career he held several solo exhibitions, such as the one organised at the Salón Cano in Madrid in 1962, and took part in group exhibitions and competitions such as the National Exhibition of Fine Arts. A few months before his death, in January 1987, he held his last exhibition at the Sala Parés in Barcelona. He is currently represented at the Museo Nacional Centro de Arte Reina Sofía and the MACBA in Barcelona, among others.
Estimated value: 4,500-5,000 €
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Description
JOSEP PUIGDENGOLAS BARELLA (Barcelona, 1906 - 1987).
"Barcelona", ca.1950.
Oil on canvas.
Signed in the lower right corner.
Size: 60 x 75 cm.
In this work Puigdengola demonstrates his absolute mastery of the technique and of the capture of the landscape, in an image in which he manages to synthesize the naturalistic representation, the personal expression and the pictorial order. We see a sensitive brushstroke, which explores the space and gives it form and entity, creating volumes, lights and shadows, defining an atmosphere captured with great sensitivity. Through a purely personal language, Puigdengola synthesises the basic elements of representation and expressiveness of painting, as can be seen in the intensity of his colours and the rigour of his compositional structure.
Josep Puigdengolas trained at the schools of Arts and Crafts and La Lonja in Barcelona, later completing his studies at El Paular and at the Royal Academy in Florence. He was a disciple of Eliseo Meifrén and Joaquín Mir. In 1951 he was appointed professor of drawing at the Sant Jordi School of Fine Arts. Although he had his studio in Barcelona, he frequently painted in La Cerdanya and Mallorca, specifically in the town of Deià. His work, of a luminous naturalism, derives from the style of Mir, and earned him great public acclaim. He focused his work on landscape, but he also worked on portraits. Throughout his career he held several solo exhibitions, such as the one organised at the Salón Cano in Madrid in 1962, and took part in group exhibitions and competitions such as the National Exhibition of Fine Arts. A few months before his death, in January 1987, he held his last exhibition at the Sala Parés in Barcelona. He is currently represented at the Museo Nacional Centro de Arte Reina Sofía and the MACBA in Barcelona, among others.
"Barcelona", ca.1950.
Oil on canvas.
Signed in the lower right corner.
Size: 60 x 75 cm.
In this work Puigdengola demonstrates his absolute mastery of the technique and of the capture of the landscape, in an image in which he manages to synthesize the naturalistic representation, the personal expression and the pictorial order. We see a sensitive brushstroke, which explores the space and gives it form and entity, creating volumes, lights and shadows, defining an atmosphere captured with great sensitivity. Through a purely personal language, Puigdengola synthesises the basic elements of representation and expressiveness of painting, as can be seen in the intensity of his colours and the rigour of his compositional structure.
Josep Puigdengolas trained at the schools of Arts and Crafts and La Lonja in Barcelona, later completing his studies at El Paular and at the Royal Academy in Florence. He was a disciple of Eliseo Meifrén and Joaquín Mir. In 1951 he was appointed professor of drawing at the Sant Jordi School of Fine Arts. Although he had his studio in Barcelona, he frequently painted in La Cerdanya and Mallorca, specifically in the town of Deià. His work, of a luminous naturalism, derives from the style of Mir, and earned him great public acclaim. He focused his work on landscape, but he also worked on portraits. Throughout his career he held several solo exhibitions, such as the one organised at the Salón Cano in Madrid in 1962, and took part in group exhibitions and competitions such as the National Exhibition of Fine Arts. A few months before his death, in January 1987, he held his last exhibition at the Sala Parés in Barcelona. He is currently represented at the Museo Nacional Centro de Arte Reina Sofía and the MACBA in Barcelona, among others.
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